NSFW, obviously. Mmm, I'm supposed to go to Brooklyn tonight but maybe I'll end up staying in.....-Jess
NSFW, obviously. Mmm, I'm supposed to go to Brooklyn tonight but maybe I'll end up staying in.....
I think this is one of the most underrated albums of recent times, especially in Madonna's catalog. Here is a Madonna forgoing the glamor and dance-floor aesthetic that brought her to fame; here is a more mature Madonna, pondering her place as a woman, a mother, a lover, and an American in the 21st century. This is the song that comes into my head when I feel like I'm drowning in infatuation, when I'm with a guy and I don't know what I'm doing and I'm kind of being a bitch but it's only because I'm nervous. And the clipped acoustic-guitar loop works perfectly.
One of the few albums I fell in love with upon the first listen. Shout Out Louds have a knack for writing lyrics that seem to read my mind; I've thought the words to "South America," for instance, many nights of wondering what I'm going to do. But it's this song, the lead single, that made them one of my favorite bands; the rollicking old-time piano, the jabbing acoustic guitar, and the desperation we all feel when we're breaking up with someone.
I actually heard the acoustic version of this song first, so that's what I was used to. But I am in awe of this song; the acoustic intro belies the instrumental intensity that awaits the patient listener, and Karen O's self-harmonizing only adds to the audible kaleidoscope that this song becomes. If I were to run a fireworks show, this is the song I'd want playing in the background.
Winning the award for sweetest use of an electric guitar ever (it sounds like a kazoo), this is a cute acoustic song about the nature of love; Kevin Barnes sings about making chicken soup and watching soap operas with his buddy, wishing that his buddy were actually the girl of his dreams. But there can exist love between friends, even straight male friends; this is a tune sung by someone both sure of his masculinity and still frustratingly single. I can relate! (Well, one out of two ain't bad, right?)
Dark alleys, Mod hairdos, and Cold War-era politics all fit into this great rock-noir song by every indie kid's least favorite band, Franz Ferdinand. The chorus is something we've all wanted to say to someone we're in an argument with, and the politician-alluding ending sums up the song's message perfectly: that sometimes, a fight can seem like the biggest deal in the world, when really it's the most trivial.
It's the hit single's darker, more intense cousin. While the single version is doing shots on the dance floor, this remix is doing lines in the bathroom. And when the synth-drenched outro begins, I always crank my iPod up to the loudest it will go and let me eardrums get pounded. But that's the way this remix likes it; pain for pleasure, baby.
It's a love song and a farewell to old Hollywood; it's Sunset Boulevard meets Mulholland Drive. It's a great little number that closes out a solid R.E.M. album effort, and Michael Stipe's voice is just wonderful. (By the way, Marc Jacobs? What?) You'll listen to this song once, and then want to listen to it again and again.
I mean, come on, it's the Beatles; they kind of had to appear on this list, didn't they? But more importantly, this is the song that reminds me of childhood more than any other. I was really attached to my dad, and he'd always play this song right before he left on one of his week-long business trips, and I'd dance around the living room (not even joking, Soren) and then start crying after he walked out the door. This song can still bring me to tears, if I'm in the right mood.
The most unique voice in today's music world singing about how lonely he is; how could I not love this? It's also really short (under two minutes) and sparse (just vocals and piano.) In essence, it's a great song for me to listen to if I need a quick, therapeutic cry.
My favorite holiday song is by Sufjan--figures, right? But the melody is gorgeous and the lyrics heartbreaking. It reminds me of my parents fighting while I'm home over Winter Break, so I go outside and nearly freeze as I smoke a cigarette and count the minutes until I get back to New York. Strangely, it's a comforting thought; it's nice to know you have a place to go that's safe and warm and that you won't be able to wait to leave again.
This just might be my favorite love song. Making great uses of the saxophone and just-cheesy-enough strings, this sweet song--about love, about losing innocence, about the ways we feel safe--is the song I always play when I imagine myself kissing the love of my life by the Hudson River, when the Manhattan skyline is lit up behind us and nothing matters but each other. This is not the last time you'll see this band on this list; they're good enough to warrant two top-ten entries.
A different side of Of Montreal. By the time this album was released, Kevin Barnes was a much more bitter man, no longer in the mood for singing about fantasy worlds or heterosexual life partners. He was having problems with his wife, so he wrote an album about it. On this song he's "hiding in our friend's apartment" and lamenting the fact that "all of the beauty's wasted." And that part when he sings, "I guess it would be nice" for the second time and the drum stops? Always gives me chills.
Fun fact number one: Did you know that this was the only song from this album that Josh liked for about four months? Fun fact number two: Did you know that this is one of the most beautiful songs ever? The acoustic-guitar-and-bass combo contributes to the historicism with which this album is obsessed. And any song that can nail both love and bad parenting is alright in my book. (Not that I had bad parents, but I still like it when songs talk about that.)
One of the few albums that I think would make John Lennon jealous if he heard it, every song on XO is a tragic masterpiece. From the mourning regret of "Waltz, No. 1" to the sad, a capella "I Didn't Understand," this album hits all the right notes in all the most miserable places. But this one is, in my opinion, the best; it's strangely upbeat, with an awesome use of background vocals and a melody that could almost be a 50s grocery-store jingle. Elliott Smith's lyrics are the words my brain would form if it were smarter.
Jess could've told you that this one would make the list. Like "Young Folks," it makes great use of whistling, but instead of sweet these lyrics are sad. It's the feeling we all get when we're missing someone and we know we'll probably never see him again, so we try to move on, but it's hard. Peter Bjorn and John know that; they'll never let you down.
By far, the song I've listened to most often. It's my walking song, my getting-ready-for-a-big-night-out jam, and the song I play when I imagine that one day I'll be a glamorous celebrity who gets paid to go to clubs, decked out in a glittering white tuxedo and shiny black dancing shoes (because I'm a huge fag.) That said, it's also my favorite dance song of all time, and damn you ABBA for making such a catchy loop. Yeah, she'll sample your ass onto the dance floor.
I first heard this song in my friend Erin's living room; she was online, IMing her girlfriend while we waited for her brother to bring back the car so we could go out. Then this came on and she was about to change it, but I told her to leave it on because I liked it. That night, downloading it onto my computer, I realized I loved it. Thus began my love affair with Belle and Sebastian; Stuart Murdoch is undoubtedly the man of my dreams. And this is the song we'd listen to after sleeping together for the first time, me by the window smoking a cigarette and wondering what the future has in store for us, he lying in bed, half-asleep and smiling because I've made him happy. Ugh. Fuck you, Stuart Murdoch, for giving me such unrealistic expectations about love. You're just as bad as Disney.
I don't know whether it's comforting or depressing to know that no matter what I do in life, I'll never write a song as good as this one.
Maybe it's just a little home-state pride, or maybe it's just that Yo La Tengo are from New Jersey too, but to me, this song is the Jersey Shore. It's the bright, colorful lights of the game stands lining the boardwalk; it's the quiet roar of the ocean at midnight; it's the crushing knowledge that you actually have to work for love, and that sometimes you feel trapped, and you just want to forget it but something won't let you. Above all, it's everything I love about Yo La Tengo; their ability to write painfully true yet maddeningly ambiguous lyrics; their ability to inject everything with the perfect dose of melancholy; their ability to make me cry; and their ability to make me remember why I love music so much.
Elliott Smith is a go-to of mine when I'm feeling like I want to kill myself (JK!). But really, this song was in The Royal Tenenbaums and if there's one thing you can count on Wes Anderson for, it's having great soundtracks to accompany his mostly almost-great movies.
When I came home from Berkeley the summer before senior year I played this song on repeat and watched slideshows of the pictures I'd taken. Aka I'm pathetic, but whatevs, this song is special to me. (Aww, lolz)
The lyrics to this song make you feel happy to be alive, particularly the refrain, "How strange it is to be anything at all." Metaphysical, AND the melody's catchy. Leave it to NMH.
This song makes me cry. I don't want to say anything else about it.
Nothing so characterizes my sophomore year and flat out obsession with Garden State (no, I'm not ashamed) as this song. The first time I heard it I got chills, and that initial beauty never really waned.

This song is a perfect combination of grownup romance and wishful teenage angst: afterall, what more do you want when you're a teenager than to be squished up together with someone in a car or at the movies or in your parents' basement?
Acoustic, simple, beautiful. The lyrics make me weepy.
This song was my anthem when I was a 17 year old girl. Whispery and echoey and with a climax as intense as, well, a climax, the lyrics fit perfectly into my idea of myself as a teenager. And how many girls put "Park that car, drop that phone, sleep on the floor, dream about me" in their away messages?
Junior year of high school my friend Dina and I became literally obsessed with Joni Mitchell's Blue. We would actually skip school just to go home, smoke baby joints, and listen to it. All I Want is maybe my favorite from the album.
The syncopation of this song is what makes it work so well. The beat actually comes just a split second after you feel it should come. And it has that classic Radiohead synthesizer vibe.
Just listen to the refrain: "You know I dreamed about you for 29 years before I saw you" and tell me you didn't tear up a bit.
My alltime favorite song is acoustic and sad and about someone dying: go figure! It wholly sums up my senior year. I used to play it every night driving home from my ex-boyfriend's house. It is sad and melodramatic and perfect.
I've always struggled with the concept of love. Perhaps due to my parents' divorce when I was 13 (impressionable, much?) or my shitty luck when it comes to relationships, I've always been wary about using that word or clinging to it or even believing that it exists. Of course, when you're in a relationship, it's quite easy to throw caution to the wind because we convince ourselves that the person we're with is different, somehow. With more than 50% of marriages ending in divorce, and that daunting little motto "all good things must end," I have to say that I am a little disenchanted with the whole love and sex and relationships thing.JOSH: i have an idea for a blog post but it's very self-important and kind of a cliche, so tell me if you like it
JOSH: we each count down our like, 20 favorite songs
JOSH: and like say why we love them
JOSH: idk
JESS: yeah sure
JOSH: but i'd only do it if you did it too
JESS i was thinking of doing like a beauty entry
JESS: like good products we use
JESS: LOL like people care
JESS: i'm just good at talking about fashion
JOSH: LOL "josh, meanwhile, steals cover-up from duane reade. HE IS SO COOL"
JESS: LOL do you really?
JOSH: yeah hahaha
JESS: i used to steal speed from duane reade
JESS: and by speed i mean no doz
JESS: OTC speed
JOSH: LOL, i'm sippin some liquid speed
JOSH: (coffee)
JESS: me too!
JESS: we should do a post about our favorite founding fathers
Who has ideas for posts they want to see? Also, does it surprise you that we actually put thought into this thing?
-Jess



Hannah and I at 15
JOSH: i laughed so much last night
One of my (straight male) friends had been courting a girl for the last couple of weeks. I did my best to help him out; I gave him advice "from a girl's perspective," told him what to text her, and how soon he should wait before asking her to get coffee. This past weekend, she told him that she didn't like him after all, even though they had spent the previous week going on dates and making out and stuff. I feel bad for him because he really liked this girl, but we've all been there.